Young Hollywood Was Asian

Katie Gee Salisbury
15 min readMay 3, 2022

the playboys, half-castes, outsiders, and sirens who made motion pictures

Sessue Hayakawa and Anna May Wong gaze at a film reel in a Paramount publicity still for Daughter of the Dragon, 1931

Another year, another badass Asian film becomes the unexpected darling of arthouse cinemas across the country and takes the film world by surprise. Since the release of Crazy Rich Asians in 2018, every new release that centers around Asian or Asian American stories has felt like winning another chip at the craps table. Little by little, chip by chip, we are amassing proof not only that there is a place for Asians in Hollywood, but also that movies can be spectacularly successful when Asians act, write, and direct them.

Everything Everywhere All at Once, a low-budget indie production brought to life by the visionary team Daniel Kwan and Daniel Scheinert (aka the Daniels), is the latest of the bunch and it just crossed the $20 million mark in revenue. If one day we decide to cash in our stockpile of chips, will Hollywood stop making Asians jump through endless hoops to make it on screen and into writing rooms?

Of course, we shouldn’t have to prove ourselves, and the fact that we do says a lot about how white supremacy still dominates America in the most unconscious yet persistent ways. Many have doubted, even today, whether Asians/Asian Americans are charismatic enough, creative enough, human enough to be cast in leading roles or…

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Katie Gee Salisbury
Katie Gee Salisbury

Written by Katie Gee Salisbury

Author of NOT YOUR CHINA DOLL, a new biography of Anna May Wong, out now from Dutton and Faber. www.notyourchinadoll.com

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